The Bond Films: The Dalton Years

This won’t take long. The Timothy Dalton era, such as it was, was only two films. For my money, it was two decent but not great films. As a fan, I felt the series has taken a step up from the Moore years. But greatness was still a long way away.

The Living Daylights: My favorite critic, James Berardinelli, dislikes this film but I just don’t see it. It’s got a decent plot, especially the post-credits sequence, which is based on a Fleming short story. It’s very much a spy story set in the Cold War. The actions scenes are good, the plot very spyish and Dalton injects a much-needed edge into Bond. As a kid — well, a teenager — I really liked this movie for bringing some fresh air to the franchise after the weakness of Moore’s last two outings.

The movie is not without its flaws, particularly Maryam D’Abo. She’s just not a good Bond girl. She’s pretty, but she’s too skinny, too useless, too boring. She’s little more than a plot device. No, no even that. The plot would have gone just fine if Bond had dumped her in Bratislava. She mainly stands around and occasionally screams. If you’re going to narrow Bond’s sexual congress to a single girl, she has to be dynamite and Kara simply isn’t.

One of the games I like to play when watching a flawed movie is imaging how it could have been better. One way would have been to make Kara a real assassin, or at least a real agent, possibly from a Czech service that had no love of the Russians. It might also have been interesting to cast a woman as Pushkin, not that I’m complaining about John Rhys-Davies’ fun performance.

There are lot more changes in the franchise, not all for the better. Caroline Bliss takes over as Moneypenny but she’s a little too pretty for the role and doesn’t have the refined air that Lois Maxwell did (although it’s fun, in the next film, to see her in the old office set). John Terry makes his only appearance as Leiter, which is merciful as he’s the least effective actor in the role. Give me Jack Lord or Jeffrey Wright or David Hedison any day.

Of course, the biggest change is Dalton. He is an improvement on Moore, but he’s not perfect. He seems to think he should be making a serious movie and gets annoyed when it gets Bondish, smirking his way through the romantic scenes. Dalton was a huge fan of the books and wanted the darker Bond Fleming portrayed. It works, to an extent. But it’s weak when Bond isn’t being dark or violent. The aforementioned Berardinelli once said the key to playing Batman is how you play Bruce Wayne. The key to playing an edgier darker Bond is how you play the romantic and humorous scenes. Dalton doesn’t quite there. That would have to wait for Daniel Craig.

IMDB ranks Daylights 14th, toward the middle of the pack. That sounds about right to me. I give it a 7, sometimes and 8, depending on my mood at the time. It’s not bad. And it’s a blessed relief after the end of the Moore years.

License to Kill: Boy, does this take me back in time to the early days of the drug war. My views on the War on Drugs did not form overnight. There was a time when I was a drug warrior, especially because of the horrific violence of the 80′s drug lords (as violent as this movie is, it understates the case). Watching this movie reminds me of the righteous anger I used to feel.

Unlike the last film, the Bond girls shine in this one. I was 17 when this came out and developed a huge crush on the smoldering Talisa Soto. But as time has gone on, I’ve become more appreciative of Carey Lowell’s Pam Bouvier. She’s not as glamorous, but she’s fun and capable.

Robert Davi is great as the vicious drug dealer Sanchez and this features an early appearance of Benicio del Toro. The action scenes — particularly the truck chase — range from great to solid. Dalton’s performance is about the same — mostly good, but weak in scenes where he needs to be funny or romantic.

When I first saw it — and even now — the amount of violence is a bit bothersome. It includes some pretty brutal stuff — an offscreen evisceration, execution by atmospheric chamber, the brutality visited on the Leiters, etc. etc. But overall, I’d put it just a cut below Daylights. IMDB ranks this 17th in the Bond Series. Seems fair. I give it a 7.

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