The Shakespeare Project: Love’s Labours Lost

I tried, but I just couldn’t get into this one. Maybe it’s because my reading was spread over many weeks; maybe it’s because I was reading it while tired. Or maybe it’s because it’s a very “in” play with contemporaneous references that aren’t as relevant today. I was frequently thanking the heavens for the Kindle’s ability to look up words with a click. Shakespeare’s other plays have aged well, but this one just hasn’t.

There was some stuff I enjoyed. Some wordplay was clever and the character of Berowne was good. But it was just missing something. Situations that should have been clever — Costard mixing up the letters, the overlapping overheard conversations, the attempts by the men to conceal their feelings — just washed over me. The games the women played at the end — games played so well in, say, Merry Wives of Windsor just seemed cruel and arbitrary. And then it end up in the air.

Humph. Maybe Love’s Labours Won would have redeemed it. In fact, the whole thing plays like a prelude to the possibly apocryphal second play. Unfortunately, we don’t have that play. So we’re stuck with one of the weaker comedies.

Up Next: A Midsummer Night’s Sex Comedy Dream. One of his best.

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