2011 in Film

Yeah, it’s mid-September. And I still haven’t watched all the 2011 movies that I want to. But do you know how many films I saw in a theater in 2011? Two? Maybe three? Almost everything I watch is on DVD and one of the more praised movie of 2011 just came out. And I’m glad I delayed this post until I could watch it. But I’ll stick a fork in 2011 for now.

According to Metacritic, the most well-reviewed films of 2011 were:

Tree of Life: You can read my long review for my detailed thoughts on what is, without question, the most controversial picture of the year. Many people whose opinions I respect hated it. On IMDB, it is rated at the 58th best movie of 2011, indicating that audiences didn’t like it that much (although the vote is very polarized). But having now seen it a second time, I still think it’s wonderful. I still think, in the fullness of time, it will be appreciated. And I would still rate it as the best film of the year. 9/10

The Artist: While I enjoyed this film, I did not love it the way many people did. Don’t get me wrong: it’s a fine film and well-qualified as Best Picture. But I wonder how much of its appeal is wrapped up in its gimmick. 8/10

Melancholia: As I said on Twitter, this is the reason we put with Lars von Trier’s bullshit. Melancholia is a little slow at the beginning, but builds toward a shattering finale. Kirsten Dunst is excellent and it a visually and aurally stunning film. 8/10

Drive: I have not seen this yet but expect to like it.

The Descendants: I found this to be a little over-rated. It wasn’t bad mind you. It’s well-written and well-acted. I cared about the people in it. But it didn’t grab me the way some of the other best pictures did. It’s my nominee for the “kafeeklatch” movie of the year: appealing mainly to Hollywood insiders. But it’s a step above, say, The Kids are All Right. 7/10

Hugo: As I said on Twitter, I’m so glad that Martin Scorsese finally won an Oscar. It has freed him up to make the pictures he wants to make, rather than aiming so hard for an Oscar (although this was stil nominated). Shutter Island was good; this was great, carried by its strong actors. I told you to keep an eye on Chloe Moretz. 8/10

A Separation: I just watched this a couple of nights ago and am still taking it in. As with several other of the top-rated films, it starts slow as it makes the characters compelling and then tightens down. I was, in an odd way, reminded of Winter’s Bone. It may seem odd to compare a picture set in American meth country to one set in Iran. But both pictures deal with good people trying to live in trying circumstances and both feature acting that is so low-key and so real, I didn’t even realize I was watching actors: I only saw the characters. A must see as it provides one of the first glimpses we’ve gotten of real Iranian society. On IMDB, it is the top-rated movie of 2011. It’s rare for a movie with so few explosions to be so well-liked on IMDB. 8/10 (provisional)

Certified Copy and Take Shelter: I have not seen these. Both are in my queue.

Moneyball: While I am a fan of baseball, a fan of the book and a fan of the new management in the game, I only liked this one, didn’t love it. 7/10

So that’s what the critics thought. We can feather that out with the Best Picture nominees, representing the thoughts of an entirely different group of old white men. The nominees this eyar were The Descendants, Extremely Loud and Incredibly Close, the Help, Hugo, Midnight in Paris, Moneyball, Tree of Life and War Horse. I have seen all of them. Several I mentioned above, but I’ll go through the other ones.

Extremely Loud and Incredibly Close: I can see what they were trying to do. And there are moments when it is really good and uplifting. I love the optimistic take it has on New Yorkers, which I think is far closer to the truth than the more popular cynical view. But it had lots of credibility problems and the way the kids’ mind was portrayed – with loud noises and flash cuts – irritated me. 6/10

The Help: The acting in this is great and I enjoyed it a lot the first time I saw it. But as time has gone on, the appeal has waned. 7/10

Midnight in Paris: This movie is typical Woody Allen — charming, funny, endearing but not quite great. Marion Cotillard was great in this, as she is in everything. 7/10

War Horse: Like Extremely Loud, there are moments when this film is very good, particularly the touching ending. But the whole is less than the sum of its parts. The story is told from the point of view of the horse, but Spielberg tries very hard to tell it from the view of the people. It doesn’t really work that way. I kept feeling like I was watching a highlight reel of the year’s best films rather than one of the year’s best films. 7/10

So let’s go to the people: looking over the movies at IMDB and narrowing to those with 25,000 or more votes, we find the following list from the users: A Separation, The Intouchables, Warrior, The Artist, Deathly Hallows 2, The Help, The Girl with The Dragon Tattoo, Drive, 50/50 and X-Men First Class. Girl with Dragon Tattoo was good. Not quite as good as the Swedish TV series, but very good. Mind you, I saw an edited version on an airplane, so my opinion might improve later from its current 7/10. Deathly Hallow 2 I rate as a 9, but that’s a fan rating, so a normal rating would be 8/10.

I do, however, want to comment on Warrior, which was simply excellent. Fantastic acting all the way down to the supporting actors, brilliant directing and a great story. I was surprised by this one. I did not expect a film about mixed martial arts fighting to be one of the best of the year. I love surprises and gave it an 8/10.

Looking further down the list, there are a few more I have seen or want to see. Sherlock Homes II was even better than the first and I fan-rated it at 8/10. Tin-tin was very enjoyable and I rated it 7/10. The Muppets was a fun tongue-in-check 7/10 that my daughter loved. Super 8 was Spielbergian treat that gives me hope that Adams is improving as a director (8/10). Rango was quite fun at 7/10. And Tinker, Tailor, Soldier, Spy was an exquisitely tense spy thriller with a fantastic performance from the great Gary Oldman that I gave 8/10. I would still like to see Mission Impossible IV, Drive, Take Shelter, Source Code and The Adjustment Bureau. And I have been talked into seeing Rise of the Planet of the Apes at some point.

Applying the DVD test, the only films I own are Harry Potter 8a and Sherlock Holmes II, both fan purchases, and Tree of Life. But if money were no object, I would probably buy A Separation, Warrior, Tintin, Tinker Tailor, Melancholia. There are a few more I might throw on the pile once I see them.

Not a bad year, after all is said and done.

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