The Hobbit is not the Phantom Menace.
I feel like I have to say that leading in, even though I liked the Star Wars prequels. But since that is the gold standard of disappointing sequels, I’ll just use it as a marker. The Hobbit will not disappoint. Casual fans may find it a bit boring in parts. Tolkien enthusiasts, however, will probably love it despite the liberties it takes with the text. Jackson has fleshed out the book with so much detail and backstory, that you can’t help but get swept up in the labor of love this clearly is.
As I said on Twitter, the movie is good. Sometimes it is very good. But it if were a half an hour shorter, it would be awesome.
Let me unpack that a bit. The biggest problem the movie has — in fact, I would almost say its only problem — is that it’s too long. If you’ve got me checking my watch during a Middle Earth movie and continually wondering, “OK, is this where they’re going to end it?”, you’ve got a problem with running time.
It’s hard to pin down exactly where the movie bogs down because there is simply so much new material. New stuff has been larded in everywhere — the battle with the goblins, the chase to Rivendell, the “out of the frying pan” scene. This is not all bad: Jackson has put a much more tangible villain in the piece who works very well. And, as noted above, the backstory fleshes out the movie to be much more epic than the book.
No, I don’t think the new material is the problem. The problem is that some scenes just drag on. People are complaining about the party at Bilbo’s house, but I didn’t find that to be much of a problem. I kind of liked it actually as it did a good job of introducing and defining the characters (Balin, in particular, does well). But the part of the prologue with Frodo just drags on. Gandalf’s introduction is almost verbatim from the book. The consultation in Rivendell really drags with Blanchett and Weaving intoning each syllable verrryy slowly. And a number of the battle scenes just go on for far too long (a growing problem in modern action films). In the end, the movie doesn’t really feel like it has an arc; it feels like a series of incidents that just … at some point … kinda ends.
Personally, I would have ditched all the stuff with Radagast (although it does produce one extremely chilling scene). But I actually think that sharper editing could have kept everything in the movie that’s there and still cut half an hour off the running time. The result would be a great two hour movie that would leave the audience breathless.
And that’s the rub. The reason I’ve spent most of this review complaining about the running time is because Jackson does so much in the film that’s just so right. The prologue about Erebor is excellent. Thorin’s backstory is great. The new villain is excellent and deepens the significance of Thorin’s return to Erebor. The “riddles in the dark scene” is the highlight of the film. Bilbo’s journey from timid Hobbit to hero is done better than Tolkein did. Middle Earth itself is, once again, rendered with such beautiful, loving and fiddling detail. And there are images in the film — the appearance of the necromancer, the “into the fire” scene, the eagles — that just work really really well.
The actors are all well-chosen and do jobs ranging from good to excellent. And Jackson shows the talent he’s shown before for letting actors act.
So, yeah, I liked it, despite its running time. I will probably see it again because, as with the second two LOTR films, my anticipation and worry impinged my enjoyment. But it’s definitely worth $8. Especially on a big 2-D 24 fps screen.
I’ve rated it 8/10, which is provisional. The reason it’s provisional is that a) I’m a fan; b) I rarely rate films higher than 8 on initial viewing; and c) I have to see the other two films (and I really don’t want to wait two years for them). I initially rated the LOTR movies as 9′s but elevated all three to 10′s as they were one long epic rather than three films. So Hobbit I’s legacy will depend on how Hobbit II and Hobbit III go.